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AbstractHistoryArchive Description
Contains six plays.
Enuff by John Harding is a frightening and funny play about an Australian future where black patience has run out. A violent uprising is planned for Reconciliation Day – will retribution or forgiveness prevail?
I Don't wanna Play House by Tammy Anderson is the moving story of her childhood. A truly remarkable account of the triumph of the human spirit.
Belonging by Tracey Rigney recounts the taunts and temptations of a school girl, and her personal struggle to remain true to her culture, and herself.
Casting Doubts by Maryanne Sam is a funny, and at times heart-wrenching, play about an actors' casting agency with more colour charts than a paint shop, and the problems that Indigenous actors face.
Crowfire by Jadah Milroy is the story of a young, urban Indigenous Australian woman, and a man from a desert community lured into the city. The moving story of a search for identity and the need for reconciliation.
Conservations with the Dead by Richard J Frankland is a poetic and savage play that takes you into the aching sorrow of deaths in custody.
Notes
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Theatre program at end of playtexts
Contents
- Enuff, single work drama (p. 1-35)
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Belonging,
single work
drama
'Follows the taunts and temptations of a school girl, and her personal struggle to remain true to her culture and herself.' Source: Publisher's blurb
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I Don't Wanna Play House,
single work
drama
Indigenous story
'Tammy Anderson, a proud Palawa woman, presents a critically acclaimed one woman show based on her childhood, growing up in Tasmania & Victoria. A mixture of monologue, movement & song, the show is often heartbreaking as Anderson relives the abuse she & her family endured.'
Source: Production blurb.
- Casting Doubts, single work drama (p. 107-167)
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Crow Fire,
single work
drama
'The story of a young, urban Indigenous Australian woman and a man from a desert community lured into the city.'
Source: Australian Plays.
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Conversations with the Dead,
single work
drama
'Jack, a young, ambitious Koorie is juggling the contradictions of working in both black and white worlds. How does he stay true to his cultural responsibilities whilst the justice system he works for fails to understand the pain and rage of his people?
'Conversations with the Dead is Richard Frankland’s response to being an investigator during the Royal Commission into Aboriginal Deaths in Custody (1987-1991).'
Source: Arts Centre Melbourne (2019 production).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Indigenous Stories Told Collectively
BlackWords : Indigenous Stories Told Collectively
2015
single work
criticism
— Appears in: The BlackWords Essays 2015; (p. 5) The BlackWords Essays 2019;In this essay Heiss discusses and explains the important role of anthologies in the creation of communities of writers and in acknowledging, consolidating and launching writing careers.
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Untitled
2005
single work
review
— Appears in: JAS Review of Books , April no. 32 2005;
— Review of Blak Inside : 6 Indigenous Plays from Victoria 2002 anthology drama -
Untitled
2002
single work
review
— Appears in: Australasian Drama Studies , October no. 41 2002; (p. 134-138)
— Review of Blak Inside : 6 Indigenous Plays from Victoria 2002 anthology drama
-
Untitled
2002
single work
review
— Appears in: Australasian Drama Studies , October no. 41 2002; (p. 134-138)
— Review of Blak Inside : 6 Indigenous Plays from Victoria 2002 anthology drama -
Untitled
2005
single work
review
— Appears in: JAS Review of Books , April no. 32 2005;
— Review of Blak Inside : 6 Indigenous Plays from Victoria 2002 anthology drama -
Indigenous Stories Told Collectively
BlackWords : Indigenous Stories Told Collectively
2015
single work
criticism
— Appears in: The BlackWords Essays 2015; (p. 5) The BlackWords Essays 2019;In this essay Heiss discusses and explains the important role of anthologies in the creation of communities of writers and in acknowledging, consolidating and launching writing careers.