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AbstractHistoryArchive Description
This collection comprises two novelettes by F. Marion Crawford, The Upper Berth (1885) and The Screaming Skull (1908), and two by Bram Stoker, The Squaw (1893) and Dracula's Guest (1914). The short stories are 'The Body Snatcher' (Robert Louis Stevenson, 1884), 'The Monkey's Paw' (W. W. Jacobs, 1902), 'The Ace of Spades' (A. M. Pushkin, n. yr), 'The Dead Hand' (Wilkie Collins, 1857), 'The Signalman' (Charles Dickens, 1866), and 'The Tell-Tale Heart' (Edgar Allan Poe, 1843).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Australian Horror Novel Since 1950
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
-
The Australian Horror Novel Since 1950
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
Last amended 15 Apr 2016 15:15:27