AustLit logo

AustLit

A Dream of the East single work   musical theatre   sketch (theatrical)  
Issue Details: First known date: 1919... 1919 A Dream of the East
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

Described as in the Brisbane Courier as a 'distinctly dramatic' Oriental scena, A Dream of the East introduced songs and dances, including 'the famous Indian love lyrics,' and a poignant death scene. Edith Huxham portrayed a native Indian (25 January 1919, p.12).

Notes

  • The Australian public's interest in these Oriental musical scenas is evident in the large number of them produced around the country between the mid-1910s and early 1920s. For example, in Brisbane, Edward Branscombe's Dandies (q.v.) staged In China Town at the Cremorne Garden Theatre in 1917 (ca. 14 April), while John N. McCallum's Courtiers company presented a similar version of the same 'fascinating Chinese Scene' at the Cremorne in early September of the same year. A month later, In Yokohama was staged by the Smart Set Entertainers (q.v., 12 October) at the Palace Gardens. Other Oriental-influenced scenas staged in Brisbane during 1918 include In Sunny Japan (Smart Set, 11 January), several unnamed productions in early February and early March, In Fair Japan (Huxham's Serenaders, 20 September), and Asia Minor (Huxham's Serenaders, 11 October). Productions from 1919 included Huxham's Serenaders' The Fan Tan Man (10 January).

  • It has been suggested that a number of these Oriental scenas might have been adapted or reinterpreted from other productions. Delyse Ryan ('Brisbane Theatre During World War I'), for example, proposes that using set pieces from previous productions may have been a cost-saving policy at Brisbane's Cremorne Garden Theatre (p.143). However, as variety audiences expected a constant stream of new and stimulating entertainments, entrepreneurs such as John N. McCallum would have restricted the re-use of sets to the revivals of popular productions, rather than rehashing old shows under new titles. It is also more likely that old scenic art was painted over to reduce production costs.

    It is also believed that redundant scenic art was sometimes sold to other organisations, theatrical or otherwise. In August 1916, for example, Brisbane's Glideway Skating Rink advertised the 'tremendous scenic production' In Sunny Japan. A similarly titled scena had been staged at the nearby Cremorne the previous year (ctd. Brisbane Courier 5 August 1916, p.2).

Production Details

  • 1919: Cremorne Garden Theatre, Brisbane, 6-12 February. Director Hugh Huxham ; Producer John N. McCallum ; Music Director Les Richmond ; Costumes Mary Glynn ; Troupe Hugh Huxham's Serenaders.

    Cast incl. Hugh Huxham, Edith Huxham, Reg Harrison, Sydney Hollister, Reg Harrison, Fred Heraud, Miss Pop Batterbury, Dan Weldon, Olive Sneddon, Kitty Morton, Pearlie McKenzie.

  • This entry has been sourced from on-going historical research into Australian-written music theatre being conducted by Dr Clay Djubal.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 15 Apr 2011 09:06:45
Newspapers:
    Powered by Trove
    X