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Notes
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Dedication: Dedicated to Ewa Czajor.
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Epigraph: 'None has the right to speak for the dead, / No one has the power to make them speak...' (One Generation After by Elic Wiesel).
Production Details
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First produced by the Playbox Theatre Co., Beckett Theatre, CUB Malthouse, South Melbourne, 3 August 1990. Directed by Kerry Dwyer.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Modern Dolls, Global Spin: Joanna Murray-Smith
2005
single work
criticism
— Appears in: The Dolls' Revolution : Australian Theatre and Cultural Imagination 2005; (p. 109-156) 'This chapter positions Murray-Smith and her fascination with the modulations between language, truth and reality as a global playwright of modern drama...' (p.114) -
Demanding First Play by Reflex
1991
single work
review
— Appears in: The Canberra Times , 5 November 1991; (p. 14)
— Review of Atlanta 1990 single work drama -
A Fuzzy Realisation
1990
single work
review
— Appears in: The Bulletin , 28 August vol. 112 no. 5733 1990; (p. 133-134)
— Review of Atlanta 1990 single work drama -
A Play Caught in its Own Shallows
1990
single work
review
— Appears in: The Age , 7 August 1990; (p. 14)
— Review of Atlanta 1990 single work drama -
Energetic - But Irritating
1990
single work
review
— Appears in: The Australian , 6 August 1990; (p. 9)
— Review of Atlanta 1990 single work drama
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Energetic - But Irritating
1990
single work
review
— Appears in: The Australian , 6 August 1990; (p. 9)
— Review of Atlanta 1990 single work drama -
A Play Caught in its Own Shallows
1990
single work
review
— Appears in: The Age , 7 August 1990; (p. 14)
— Review of Atlanta 1990 single work drama -
A Fuzzy Realisation
1990
single work
review
— Appears in: The Bulletin , 28 August vol. 112 no. 5733 1990; (p. 133-134)
— Review of Atlanta 1990 single work drama -
Demanding First Play by Reflex
1991
single work
review
— Appears in: The Canberra Times , 5 November 1991; (p. 14)
— Review of Atlanta 1990 single work drama -
Modern Dolls, Global Spin: Joanna Murray-Smith
2005
single work
criticism
— Appears in: The Dolls' Revolution : Australian Theatre and Cultural Imagination 2005; (p. 109-156) 'This chapter positions Murray-Smith and her fascination with the modulations between language, truth and reality as a global playwright of modern drama...' (p.114) -
An Encore for Women Playwrights
1990
single work
criticism
— Appears in: The Age , 1 August 1990; (p. 16)
Last amended 22 Dec 2015 12:52:53
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