AustLit

'In dozens of anthologies published over the last thirty years, the words “edited by” have been followed by a singularly reassuring name: Ellen Datlow. For countless readers (and writers), Datlow’s name has served as a virtual guarantee of quality. Each of her many anthologies, whatever its specific nature, reflects a high degree of taste, intelligence, and professional judgment. As Gary K. Wolfe notes in his excellent introduction, her work has received “an almost unprecedented string of honors.” Honors and awards are fine, of course, but it’s the stories that ultimately matter. And Datlow has ushered more good stories into the world than any editor in living memory. The book you are currently holding stands as a testament to that fact.Edited By is a thoroughgoing attempt to reflect both the quality and infinite variety of the fiction she has championed in the course of her career. The stories gathered here come from all over the literary map. There are SF, fantasy, and horror stories, often in unique combinations. There are household names among the contributors, such as Neil Gaiman, whose screenplay/story “Eaten (Scenes from a Moving Picture)” is a chilling account of eater and eaten, predator and prey. There are newer, lesser known figures as well, among them Nathan Ballingrud, whose “Monsters of Heaven” is an achingly beautiful story of grief, loss, and strange encounters. And there are many award-winning writers included, among them Elizabeth Hand, Kelly Link, Lucius Shepard, Ted Chiang, and Jeffrey Ford, to name just a few. Their contributions are among the many highlights of this book.Edited By is one of those rare books that offers intense pleasure and intellectual excitement on every page. There are no bad stories here, and there is no lazy or indifferent writing. Some of the finest imaginative fiction of modern times awaits within the covers of this magisterial book. This one really does belong on the permanent shelf. Don’t let it pass you by.'

Source: Publisher's blurb.

'In a world not quite our own, every living thing is born into one of six discrete "fractions" that are incompatible with—and often invisible to—each other.  These fractions have coexisted peacefully for centuries, but now a disease has appeared that seems to drag the infected parts of the body into a different fraction. The effects are devastating. Individual victims suffer painful, protracted deaths. Entire communities turn against one another, and a state approaching perpetual war takes hold.

'Against this backdrop, Egan has constructed an absorbing account of people determined to confront, comprehend and ultimately overcome a disease that has no recognizable cause, that threatens to obliterate the bonds that hold the human community together.'

Source: Publisher's blurb.

'Greg Egan is arguably Australia’s greatest living science fiction writer. In a career spanning more than thirty years, he has produced a steady stream of novels and stories that address a wide range of scientific and philosophical concerns: artificial intelligence, higher mathematics, science vs religion, the nature of consciousness, and the impact of technology on the human personality. All these ideas and more find their way into this generous and illuminating collection, the clear product of a man who is both a master storyteller and a rigorous, exploratory thinker.

'The Best of Greg Egan contains twenty stories and novellas arranged in chronological order, and each of them is a brilliantly conceived, painstakingly developed gem. The book opens with “Learning to be Me,” about a society in which the organic human brain can be replaced by a miraculous piece of technology called “the jewel,” a “mock brain” that confers, among other things, a kind of immortality on its recipients. “Bit Players”—the opening movement in a trio of tales that continues with “3-adica” and “Instantiation”—posits a world in which cheaply generated software beings are exploited for the basest commercial purposes. (Other sets of interconnected stories—all of them reprinted here—include the mathematically-themed “Luminous” and “Dark Integers,” and a pair of stories centered on the complex marriage of a physicist and a mathematician: “Singleton” and “Oracle.”) “Reasons to be Cheerful,” concerns a young boy whose brain tumor has an unexpected effect on his life, moods, and view of the world. “Axiomatic” tells the story of a society in which “implants” can be used to alter the human personality, with potentially lethal results. And the Hugo Award-winning novella “Oceanic” is a powerful account of a boy whose deeply held religious beliefs are undermined by what he comes to learn about the laws of the physical world.

'This book really does represent the best of Greg Egan, and it therefore takes its place among the best of contemporary SF. Startling, intelligent and always hugely entertaining, it provides an ideal introduction to one of the most accomplished and original writers working today. This is an important and provocative collection, and it deserves a place on the serious science fiction reader’s permanent shelf.'

Source: Publisher's blurb.

'Welcome to Tvibura and Tviburi, the richly imagined twin planets that stand at the center of Greg Egan’s extraordinary new novella, Phoresis.

'These two planets—one inhabited, one not—exist in extreme proximity to one another. As the narrative begins, Tvibura, the inhabited planet, faces a grave and imminent threat: the food supply is dwindling, and the conditions necessary for sustaining life are growing more and more erratic. Faced with the prospect of eventual catastrophe, the remarkable women of Tvibura launch a pair of ambitious, long-term initiatives. The first involves an attempt to reanimate the planet’s increasingly dormant ecosphere. The second concerns the building of a literal “bridge between worlds” that will connect Tvibura to its (hopefully) habitable sibling.

'These initiatives form the core of the narrative, which is divided into three sections and takes place over many generations. The resulting triptych is at once an epic in miniature, a work of hard SF filled with humanist touches, and a compressed, meticulously detailed example of original world building. Most centrally, it is a portrait of people struggling—and sometimes risking everything—to preserve a future they will not live to see. Erudite and entertaining, Phoresis shows us Egan at his formidable best, offering the sort of intense, visionary pleasures only science fiction can provide.' (Publication summary)

'Camille is desperate to escape her home on colonized asteroid Vesta, journeying through space in a small cocoon pod covertly and precariously attached to a cargo ship. Anna is a newly appointed port director on asteroid Ceres, intrigued by the causes that have led so-called riders like Camille to show up at her post in search of asylum.

'Conditions on Vesta are quickly deteriorating—for one group of people in particular. The original founders agreed to split profits equally, but the Sivadier syndicate contributed intellectual property rather than more valued tangible goods. Now the rest of the populace wants payback. As Camille travels closer to Ceres, it seems ever more likely that Vesta will demand the other asteroid stop harboring its fugitives.

'With “The Four Thousand, the Eight Hundred,” acclaimed author Greg Egan offers up a stellar, novella-length example of hard science fiction, as human and involving as it is insightful and philosophical.' (Publication summary)