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AbstractHistoryArchive Description
'The 1927–1928 Commonwealth Royal Commission on the Moving Picture Industry in Australia followed a series of public inquiries into the Australian cinema. One agenda of the Commission was to examine the dominance of American movies in Australian film exhibition. By concentrating on how the Commission explored this issue, as it related to the exhibition and distribution of Hollywood movies in Australia, here I will consider the extent to which Australian exhibition has been guided by and dependent on American movies. With the Commission established, in part, to explore the accusation of an American combine ruling the exhibition industry, and stunting the local production sector, the real question was whether the Commissioners would be persuaded to make recommendations to wrest the powers from America, and consequently redirect the local exhibition industry's dependence on Hollywood movies.' (Publication abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 17 Dec 2015 10:41:40
241-252
American Combine : Australasian Films Ltd., and Block Bookings
Studies in Australasian Cinema
Subjects:
- The Shepherd of the Southern Cross 1914 single work film/TV
- The Hero of the Dardanelles 1915 single work film/TV
- How We Beat the Emden 1915 single work film/TV
- Painted Daughters 1925 single work film/TV
- For the Term of His Natural Life 1927 single work film/TV
- The Sentimental Bloke 1919 single work film/TV
- The Dinkum Bloke 1922 single work film/TV
- Ginger Mick 1920 single work film/TV
-
Hollywood,
Los Angeles,
California,
cUnited States of America (USA),cAmericas,
- 1927-1928
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