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AbstractHistoryArchive Description
'Don’t call popular wellness advocate Cecilia “Sissy”. It’s an old nickname that triggers traumatic memories of school bully Alex, who drove a wedge between 12-year-old Cecilia and her bestie Emma. A decade later, Cecilia (a superb Aisha Dee) bumps into Emma, who invites Cecilia to her hen’s party at a remote bush property. What could go wrong at this happy reunion? Well, just about everything from the moment Cecilia comes face to face with Alex again and all revenge-fuelled hell breaks loose.'
Source: Sydney Film Festival.
Notes
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Number 6 on the Guardian Australia’s 10 best Australian films of 2022
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Why Sissy Is the Perfect Post-modern Slasher for the Social Media Generation
2023
single work
essay
— Appears in: Aurealis , no. 162 2023; -
Watching and Waiting
2022
single work
review
— Appears in: The Weekend Australian , 31 December 2022; (p. 9) -
When the Girls Can Be Horrid
2022
single work
review
— Appears in: The Weekend Australian , 5 November 2022; (p. 13)
— Review of Sissy 2021 single work film/TV -
Sissy : Horror Movie from Australian Duo Is an Entertainingly Schlocky Parody of Influencer Culture
2022
single work
review
— Appears in: ABC News [Online] , November 2022;
— Review of Sissy 2021 single work film/TV'Of all the terrible fads birthed by the millennial internet – pastel pink, GIF keyboards, the phrase "Netflix and chill" – the Instagram influencer at least makes for a campy archetype on screen. Her presence – and it is unfailingly a her – in film and TV signals the arrival of something unhinged: she is either a stalking victim, or, worse, a Francophile; often conniving and always a liar.'
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‘Muriel’s Wedding Was Our North Star’ : The Minds behind Sissy on Their Influencer Horror Film
2022
single work
column
— Appears in: The Guardian Australia , 5 November 2022;'A 90s dark comedy and Australian conwoman Belle Gibson inspired directors Hannah Barlow and Kane Senes to create their camp gorefest that has fans around the world screaming for more.'
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Four Perspectives on Hannah Barlow and Kane Senes’ Raucous Australian Horror
2022
single work
review
— Appears in: Kill Your Darlings [Online] , August 2022;
— Review of Sissy 2021 single work film/TV -
Sissy Review – Influencer Horror Film Is a Deranged Pleasure to Watch
2022
single work
review
— Appears in: The Guardian Australia , 2 November 2022;
— Review of Sissy 2021 single work film/TV 'Carnage ensues when a social media star reluctantly agrees to attend a former friend’s hen party in this impressively unpredictable film' -
Sissy : Horror Movie from Australian Duo Is an Entertainingly Schlocky Parody of Influencer Culture
2022
single work
review
— Appears in: ABC News [Online] , November 2022;
— Review of Sissy 2021 single work film/TV'Of all the terrible fads birthed by the millennial internet – pastel pink, GIF keyboards, the phrase "Netflix and chill" – the Instagram influencer at least makes for a campy archetype on screen. Her presence – and it is unfailingly a her – in film and TV signals the arrival of something unhinged: she is either a stalking victim, or, worse, a Francophile; often conniving and always a liar.'
-
When the Girls Can Be Horrid
2022
single work
review
— Appears in: The Weekend Australian , 5 November 2022; (p. 13)
— Review of Sissy 2021 single work film/TV -
‘Muriel’s Wedding Was Our North Star’ : The Minds behind Sissy on Their Influencer Horror Film
2022
single work
column
— Appears in: The Guardian Australia , 5 November 2022;'A 90s dark comedy and Australian conwoman Belle Gibson inspired directors Hannah Barlow and Kane Senes to create their camp gorefest that has fans around the world screaming for more.'
-
Watching and Waiting
2022
single work
review
— Appears in: The Weekend Australian , 31 December 2022; (p. 9) -
Why Sissy Is the Perfect Post-modern Slasher for the Social Media Generation
2023
single work
essay
— Appears in: Aurealis , no. 162 2023;
Awards
- 2022 nominated AFCA Film Awards — Best Director
- 2022 nominated AFCA Film Awards — Best Film
- 2022 shortlisted AWGIE Awards — Film Award — Original
- 2022 nominated Australian Academy of Cinema and Television Arts Awards — Best Direction in Film
- 2022 nominated Australian Academy of Cinema and Television Arts Awards — Best Film