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AbstractHistoryArchive Description
'Divorced mother Lizzy, an emotionally imbalanced woman battling for custody of her son, has her life turned upside down when she crosses paths with Lola, a young girl who she believes to be the daughter she lost six years ago in a hospital fire. Unable to let her suspicions go, Lizzy first stalks and then befriends Lola's mother, Claire, inching her way into Lola's life, to the bewilderment of her own family. Claire grows suspicious on discovering that this strange woman has begun to systematically follow her little girl, appearing everywhere. As Lizzy's obsession heightens and her behaviour becomes increasingly disturbing, Claire confronts her, which brings deeply buried secrets to the surface and the shockingly devastating truth.'
Source: Screen Australia.
Notes
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Funded by Screen Australia in 2017.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Aussie Remake of Domestic Drama a Satisfying Thriller
2019
single work
review
— Appears in: The Weekend Australian , 7 September 2019; (p. 16)
— Review of Angel of Mine 2019 single work film/TV'Set in Melbourne, Angel of Mine is a remake of a French film, L’empreinte de l’ange (Mark of the Angel), made in 2008 by Safy Nebbou, director of the recent Who You Think I Am. Writers Luke Davis and David Regal have successfully transferred the story from France to Australia, and director Kim Farrant — making her second feature after the underrated Strangerland in 2014 — directs with considerable skill.' (Introduction)
-
Aussie Remake of Domestic Drama a Satisfying Thriller
2019
single work
review
— Appears in: The Weekend Australian , 7 September 2019; (p. 16)
— Review of Angel of Mine 2019 single work film/TV'Set in Melbourne, Angel of Mine is a remake of a French film, L’empreinte de l’ange (Mark of the Angel), made in 2008 by Safy Nebbou, director of the recent Who You Think I Am. Writers Luke Davis and David Regal have successfully transferred the story from France to Australia, and director Kim Farrant — making her second feature after the underrated Strangerland in 2014 — directs with considerable skill.' (Introduction)