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The Haunted Station,
single work
short story
horror
mystery
(p. 61-85)
"The narrator of his ghost story, a medical practitioner, becomes a convict after he is wrongly accused of his wife’s murder and transported to the Australian colonies to work in Fremantle building roads. After landing in Australia he seeks his liberty by fleeing into the bush with two fellow convicts. Taking advantage of the capture and shooting of his accomplices, the narrator makes his escape into the wilderness—travelling to a “far off and as yet unnamed portion of Western Australia” (Nisbet 116). Wandering delirious in a hostile environment, Nisbet’s narrator, who is “expectant of something ghoulish and unnatural” to come upon him from “the sepulchral gloom and mystery” (110), suddenly comes upon “a house of two storeys”.
Source: "National Hauntings: The Architecture of Australian Ghost Stories" by David Crouch.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Australian Horror Novel Since 1950
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
-
The Australian Horror Novel Since 1950
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
